Sheila Fellowship Exhibition Opens in Darwin
Recipient of Sheila’s 2023 Michela and Adrian Fini Fellowship, Alana Hunt, recently opened her solo exhibition Surveilling a Crime Scene at the Northern Centre for Contemporary A
Sheila Foundation Announces the 2023 Michela and Adrian Fini Artist Fellowship
Artist Alana Hunt has been awarded the Foundation’s third Fini Fellowship, an opportunity that will allow her to create a body of new work for her forthcoming solo exhibition
Into the Light: Donor Circle Acquisitions: 2021
Into the Light: Recovering Australia’s lost women artists 1870- 1960 is Sheila’s national research project to collect data about women artists working professionally in Austral
Angela Brennan Work Gifted to The Cruthers Collection of Women’s Art
In 2021 Angela Brennan’s painting Self portrait 1998 entered the Cruthers Collection of Women’s Art as a gift from the artist’s husband Will Barrett. Angela BrennanSelf portr
Kelly Gellatly to Chair Sheila Fondation
Longstanding Sheila Foundation Chairperson John Cruthers this week announced the appointment of preeminent arts industry leader Kelly Gellatly as his replacement as head of the org
Into the Light: Donor Circle Acquisitions: 2020
Into the Light: Recovering Australia’s lost women artists 1870- 1960 is Sheila’s national research project to collect data about women artists working professionally in Austral
Sheila Foundation announces second Michela and Adrian Fini Artist Fellowship
Sheila Foundation – A Foundation for Women in Visual Art has announced the awarding of the 2022 Michela and Adrian Fini Artist Fellowship. Brisbane-based artist Natalya Hughes ha
Kelly Gellatly joins Sheila Foundation board
Foundation chair John Cruthers is delighted to announce that highly regarded arts industry professional Kelly Gellatly has joined the board of directors. Kelly has over 25 years’
Into the Light: Donor Circle Acquisitions 2019
Into the Light: Recovering Australia’s lost women artists 1870–1960 is Sheila Foundation’s national research project to collect data about women artists working professionall
Sheila Foundation announces inaugural Michela and Adrian Fini Artist Fellowship
Sheila – A Foundation for Women in Visual Art has announced the inaugural Michela and Adrian Fini Artist Fellowship valued at $20,000. Sydney-based artist Salote Tawale has been
In the Press: RTR FM 92.1
Curator and Board member Helen Carroll spoke to RTRFM 92.1 Jorja Key about the Sheila Foundation and the visual arts gender parity statistics highlighted in The Countess Report 201
In the press: The Saturday Paper
“If we value women’s art less than we do men’s, then we need to rethink what it is that we value in art. If women’s art doesn’t slot neatly into the art historical narrat
In the Press: ABC Arts
“Try naming five male artists, contemporary and historic … easy? And now five women. For most people this is much more difficult.” ABC Arts’ Eloise Fuss writes about the ge
In the Press: The Guardian
“I’ve seen a lot of art. Two things are inherent in this statement: I’ve seen a lot of bad art, and a lot of art by men. Ergo: I have seen a lot of bad art by men. I thin
The Countess Report 2019
For years, three dedicated Australian artists, with the support of Sheila Foundation, have been quietly working to change the face of Australian contemporary art in ways no-one has
In the Press: Sydney Morning Herald
“The National Gallery of Australia has become the first major art institution in the country to commit to full gender parity in its artistic program, after a new report found sta
In the Press: National Association for Visual Arts
“The latest Countess Report, Australia’s premier reference point on gender representation in the contemporary visual arts, has been released today…A total of over 13,000 arti
In The Press: Editorial The Sydney Morning Herald
“In the history of art, or more pointedly the history of the industry of art, those who rose to the top were men. They ran the art schools, they won the patrons, they were feted
In the Press: ArtsHub
“The latest report (30 October 2019) found that there has been ‘significant gender equity gains across public galleries, artist-run initiatives, major museums and university ga
In the Press: Vault
“The Australian slang term ‘sheila’, a derogatory term for a woman, is a relic of another, more sexist time. But, like other contested words, it has been reclaimed and reappr
In the Press: Fabric Quarterly
In May, three significant examples of colour field paintings by women artists – two of which were omitted from The Field – hung in the Lawrence Wilson Art Gallery to mark the l
3 important works unveiled at Sheila launch
To celebrate its launch, the Sheila Foundation has secured three important colour field paintings made by Australian women artists in the late 1960s. The Field was the opening exhi
In the Press: POST Newspaper
It was a unique and beautiful thing for a mother and son to share, and it was the beginning of Sheila’s love and support of women artists.” The POST Sarah McNeil writes how She
In the press: Business News
“Donors … agree that if we raise sufficient funds to carry out our programs, we can improve genderbalance in the visual art sector” – John Cruthers. Business News Madeline
In the press: The Guardian
“The Australian Cruthers family are among a global movement of galleries and philanthropists putting the spotlight back on women”. Clarissa Sebag-Montefiore from The Guardian t
In the press: ArtsHub
“Busting gender disparity in the visual arts wide open, Sheila is a new foundation aimed at building collections, and awareness.” ArtsHub writes about the need for Sheila Foun
In the press: Sheila has launched
Sheila Foundation Limited launched on May 28 at Lawrence Wilson Art Gallery at The University of Western Australia. Feature articles in The West Australian, the Sydney Morning Hera
In the press: The West Australian
“A new foundation to be launched next week will honour the art-loving legacy of Lady Sheila Cruthers.” The West Australian writes about Lady Sheila Cruthers and the inspir
In the press: Sydney Morning Herald
“Sheila Cruthers never finished school, but by the time she died in 2011, aged 86, the former shop girl from regional Western Australia had made a major impact on the lives of wo