Links to articles related to women’s art.
Art News - Cruthers Collection of Women's Art
- Alana Hunt, ‘Agatha Gothe-Snape: Trying to find comfort in an uncomfortable chair’, Artlink, 15 September 2019
- Kelly Lovell, ‘Trying to find comfort in an uncomfortable chair: celebrating PICA’s 30th Anniversary’, Scenestr, 26 August 2019
- Melanie Kembrey, ‘Australian women call time on abuse of power in the art world’, The Sydney Morning Herald, 15 September 2018
- Ann Schilo, ‘Scintillating signifiers – ‘Flora’ at Lawrence Wilson Art Gallery’, Art Monthly, Issue 306, April 2018, pp26-29
- Julie Shiels, ‘Still counting: why the visual arts must do better on gender equality’, The Conversation, 6 December 2017
- Gina Fairley, ‘Do women make better curators?’, ArtsHub, 5 December, 2016
- Raphael Morris, ‘Grappling with feminist contradictions’, ArtsHub, 24 November, 2016
- ‘My Collection’, Maddie Mulholland on Vicki Varvaressos, The lids are dizzy pink 1982, Lawrence Wilson Art Gallery, Perth, 2016
- Lily Yeang, ‘The Care Takers’, Scoop Homes and Art 47, 23 February, 2016
- Carrie Miller, ’47. Gemma Weston’, Art Collector, Issue 75, Jan-Mar, 2016, pp 202-20
- Carrie Miller, ’44. Elvis Richardson’, Art Collector, Issue 75, Jan-Mar, 2016, p 194
- Lisa Bryan-Brown, ‘Ladies’ legacies – Women gifting art by women’, Art Monthly, Issue 286, Summer 2015-2016, pp 28-32
- Leanne Santoro, ‘Sun, sea and standing still’, Look, 1015, Art Gallery Society of New South Wales, 2015, pp 18-20
- Gemma Weston, ‘In defence of bad taste: the art of Pat Larter and Lola Ryan’, The Conversation, 14 August, 2014
- Maurice O’Riordan, ‘Art we there yet?’, Art Monthly Australia, Issue 258, April, 2013, pp 35-36
- Victoria Laurie, ‘Sheila’s shelias’, The Weekend Australian, 13-14 October, 2012, pp 5-6
- Gail Williams, ‘Portrait of a lady’, The Sunday Times, 7-13 October, 2012, p 16
- Sheridan Coleman, ‘A museum of one’s own: Look. Look Again’, Art Guide, Sept-Oct, 2012, pp 70-73
- John Cruthers, ‘Lady Sheila Cruthers (1925-2011)’, Art Monthly Australia, Issue 248, April, 2012, pp18-19
- Ted Snell, ‘Intimate Spaces: The Sir James and Lady Sheila Cruthers Collection’, Art and Australia, Vol 39, No 1, 2001, pp 122-126
- Margaret Moore, ‘In the Company of Women’, Agenda, May, 1995, pp33-34
- Neville Weston, ‘Reaffirming value’, The Western Review, March 1995
- Ted Snell, ‘In the Company of Women’, The Australian, 24 February, 1995
- Ron Banks, ‘Eclectic collection is a family passion’, The West Australian, 15 February, 1995
- ‘The Cruthers Collection’, Mode Magazine, August, 1987
Art News - Women's Art General Articles
- Caroline Elbaor, Here Are the 10 Female Artists Over 40 Who Won This Year’s $25,000 ‘Anonymous Was A Woman’ Grants, Art World, November 21 2019
- Sarah Rose Sharp, Dozens of Museums Will Be Filled With Feminist Art Ahead of US Presidential Election, Hyperallergic, November 5 2019
- Anna Knox, ‘ Gender bias and art in Aoetearoa: a Spinoff survey reveals the harsh reality, The Spinoff, 30 September 2019
- Fiona Alison Duncan, ‘How Betty Tompkins confronts gender bias, armed with a spray gun and unshakable self-belief’, Art Basel, 24 September 2019
- Kristen Radtke, ‘Body of work: how the graphic novel became an outlet for female shame’, The Guardian, 29 August 2019
- Richard Godwin, ‘Throws of passion: how pottery became a refuge from our hyperconnected times’, The Guardian, 25 August 2019
- Stephanie Convery, ‘Australia to get its first gallery showing only female artists’, The Guardian, 23 August 2019
- Michael Klein, ‘The Market for Female Artists Where do they outperform men?’, In Other Words (Arts Agency Partners), 1 August 2019
- Shauna Lewis, ‘Mapping the human body through paper art – in pictures’, The Guardian, 28 July 2019
- Joanna Mendelssohn, ‘Hidden women of history: Pat Larter, pioneering ‘femail’ artist who gave men the Playboy treatment’, The Conversation, 26 July 2019
- April Greene, ‘“Women’s Work,” Artfully Revisited and Redefined’, Hyperallergic, 25 July 2019
- Laura Cumming, ‘Helene Schjerfbeck review – a strange and silent beauty’, The Guardian, 21 July 2019
- Kathryn Bromwich, ‘The big picture: capturing the essence of India’s endangered Khasi people’, The Guardian, 21 July 2019
- Jonathan Jones, ‘Helene Schjerfbeck review – a chilling blast of Nordic noir’, The Guardian, 17 July 2019
- Paula Rego, ‘A Monumental Show of Sex, Anger and Pain’, The Guardian, 12 June 2019
- Hakim Bishara, ‘Report Says that While Women Artists’ Representation in Public Institutions Slowly Increases, Commercial Galleries Lag Behind’, Hyperallergic, 10 June 2019
- Sean O’Hagan, “Cindy Sherman: ‘I enjoy doing the really difficult things that people can’t buy’”, The Guardian, 09 June 2019
- Dulwich Picture Gallery, Cutting Edge: Modernist British Printmaking – New exhibition opens until 08 September 2019
- National Galleries Scotland, Bridget Riley – New exhibition opens until Sunday 22 September, 2019
- Patrick Rossler, ‘Pioneers of Modernity – A tribute to the Bauhaus’s women artists’, Taschen Book, May 2019
- Valerie Hess, ‘5 minutes with…Autoportait (Self Portrait) by Jeanne Hebuterne’, Christies, 18 October 2018
- Katharine Q. Seelye, ‘Jane Fortune, Champion of Florence’s Female artists, Dies at 76’, The New York Times, 2 October 2018
- Claire Armistead, ‘Zina Saro-Wiwa: ‘For 10 years I didn’t cry about my father’’, The Guardian, 19 September 2018
- Hannah Clugston, ‘Polly Apfelbaum review – a trip into a technicolour dreamscape’, The Guardian, 21 September 2018
- Shankar Vedantam, ‘Researcher’s explore gender disparities in the art world’, National Public Radio, Inc., 18 September 2018
- Judith Wilkinson, ‘‘I’m aghast, scared and disgusted’: neon warrior Jenny Holzer on America today’, The Guardian, 17 September 2018
- Kathryn Bromwich, ‘Mary Kelly: ‘All borders are anathema to art’, The Guardian, 16 September 2018
- Micha Frazer-Carroll, ‘Strangers, lovers and Rihanna in repose: Deana Lawson’s intimate portraits’,The Guardian, 15 September 2018
- Johanna Mendelssohn, Alison Inglis, Catherine De Lorenzo and Catherine Speck, ‘How our art museums finally opened their eyes to Australian women artists’, The Conversation, 12 September 2018
- Linda Morris, ‘Nude gender quotas won’t be put in place says Art Gallery of NSW’, The Sydney Morning Herald, 4 September 2018
- Hannah Furness, ‘Royal Academy nudes to reach gender parity as art world grapples equality’, The Sydney Morning Herald, 4 September 2018
- Helen Gorrill, ‘Are female artists worth collecting? Tate doesn’t seem to think so’, The Guardian, 13 August 2018
- Nadja Sayej, ”It’s about time’: Central Park’s first historical female monument to arrive in 2020′, The Guardian, 2 August 2018
- Maeve Kennedy, ‘Royal Photographic Society seeks ‘hundred heroines’ for special award’, The Guardian, 2 August 2018
- Adrian Searle, ‘Herstory review – a surprising, alarming odyssey through art by women’, The Guardian, 31 July 2018
- Alison Greenberg, ‘Minneapolis Institute of Art to Stage Major Survey of Native Women Artists’, The Art Newspaper, 24 July 2018
- Robert Dex, ‘National Gallery spends £3.6m on rare painting to boost women’s art’, The Evening Standard, 6 July 2018
- Hannah Clugston, ‘Lee Miller and Viviane Sassen review – photography and the female gaze’, The Guardian, 23 June 2018
- Jonathan Jones, ‘Alison Wilding review – pure sculpture from an artist whose time has come’, The Guardian, 23 June 2018
- Rebecca Nicholson, ‘Rebel Women: The Great Art Fightback review – feminist art versus the patriarchy’, The Guardian, 19 June 2018
- Katie Goh, ‘The White Pube: meet the emoji-using art critics who hate art criticism’, The Guardian, 12 June 2018
- Jori Finkel, ‘Lacma acquires major works by women through lively Collectors Committee Weekend’, The Art Newspaper, 22 April, 2018
- Laura Cumming, ‘Surface Work review – women abstract artists dazzle in historic show’, The Guardian, 15 April, 2018
- Helen Hughes, ‘Binns’ Grids and Voids: “It is what it is, what it is”, Vivienne Binns at Sutton Gallery’, Memo Review, 14 April, 2018
- Natalie Gempel, ‘The Women’s Struggle in Art: Groundbreaking New Dallas Exhibition Examines Representation and the Fight for Recognition’, Paper City, 12 April, 2018
- Leah Sandals, ‘Nationwide Public Art Project to Feature 50 Indigenous Women’, Canadian Art Foundation, 26 March, 2018
- Louise Maher, ‘Rare painting by 19th-century female recreational artist acquired by National Portrait Gallery’, ABC News, 6 March, 2018
- Colleen Hochberger, ‘The Other Art History: The Non-Western Women of Feminist Art’, Artspace, 2 March, 2018
- Kevin Griffin, ‘ART SEEN: Contemporary Art Gallery curates new program in Canada House, London’, Vancouver Sun, 22 February, 2018
- Sasha Weiss, ‘Judy Chicago, The Godmother’, The New York Times, 7 February, 2018
- Shannon Lee, ‘The Other Art History: The Overlooked Women of Surrealism’, Artspace, 2 February, 2018
- Michael Sun, ‘Women in art study reveals 50 per cent gender pay gap’, The Age, 21 January, 2018
- Kevin Griffin, ‘Put it in words: How writing and reading by women influenced art in the ’70s’, Vancouver Sun, 13 January, 2018
- Claire Selvin, ‘The Common Threads Between Female Quilters and Abstract Expressionists’, Hyperallergic, 12 January, 2018
- Kerrie O’Brien, ‘What’s the cleaner got to do with art?’, The Age, 10 January, 2018
- Julie Shiels, ‘Unfinished Business: new exhibition showcases breadth of feminist art over decades’, ABC News, 8 January, 2018
- Kerrie O’Brien, ‘I can’t believe we’re still arguing this shit’, The Sydney Morning Herald, 5 January, 2018
- ‘The Artsy Podcast, No. 63: Camille Claudel, the Sculptor Who Inspired Rodin’s Most Sensual Work’, Artsy, 3 January, 2018
- Jennifer Farrell, ‘One Hundred Years of the Great War through the Eyes of Four Female Artists’, Metropolitan Museum of Art, 3 January, 2018
- ‘Unfinished Business Perspectives on art and feminism’, ACCA Melbourne, YouTube, 2 January, 2018
- Anna Bensted, ‘In Florence, they’re bringing the works of women artists out of the basement’, Public Radio International, 22 December, 2017
- Karen Chernick, ’10 Female Performance Artists You Should Know, from Ana Mendieta to Carolee Schneemann’, Artsy, 20 December, 2017
- Julia Halperin, ‘The 4 Glass Ceilings: How Women Artists Get Stiffed at Every Stage of Their Careers’, ArtNet, 15 December, 2017
- Natasha Hinde, ”Wall Of Shamed’: Women Share Awful Experiences Of Being Body-Shamed And Harassed’, Huffington Post, 8 December, 2017
- David Salle, ‘Outing the Inside’, The New York Review of Books, 7 December, 2017
- Julie Shiels, ‘Still counting: why the visual arts must do better on gender equality’, The Conversation, 6 December, 2017
- Mark Brown, ‘Lubaina Himid becomes oldest artist to win Turner prize’, The Guardian, 6 December, 2017
- Marybeth Stock, ‘Women in Photography 2017: Objectifs Centre for Photography Singapore’, ArtAsiaPacific, November, 2017
- Molly Langmuir and Trish Deitch, ‘Elle Women in Art: Who to Know, Love, Collect’, Elle, 17 November, 2017
- Maura Reilly, ‘What is Curatorial Activism?’, Artnews, 7 November, 2017
- ‘Nine New Acquisitions Celebrate National Museum of Women in the Arts’ 30th Anniversary Year’, National Museum of Women in the Arts, Washington, 2017
- Sarah Cascone, ‘How—and Why—’The Dinner Party’ Became the Most Famous Feminist Artwork of All Time’, Artnet, 7 November 2017
- Isaac Kaplan, ‘Alex Strada Is Contractually Binding Her Collectors to Support Emerging Female Artists’, Artsy, 1 November 2017
- Carrie Rickey, ‘Linda Nochlin, Feminist Art Historian Who Changed the Game, Dies at 86’, Hyperallergic, 31 October, 2017
- Andrew Russeth, ‘Linda Nochlin, Trailblazing Feminist Art Historian, Dies at 86’, Artnews, 29 October, 2017
- Carrie Rickey, ‘The exceptional life and political art of Violet Oakley’, Hyperallergic, 14 October 2017
- Alexxa Gotthardt, ‘What you need to know about Bauhaus Master Anni Albers,’ Artsy.net, 11 October 2017
- Sera Waters, ‘Still-ness: activating the ‘still’ rhythms of generational feminism’, Broadsheet, Journal 46.2, 2017, pp 37-40
- Shannon Lee, ‘Nine Totally Badass Latina Artists in the Hammer’s “Radical Women” Show’, Artspace, 14 September, 2017
- Natalie Haddad, ‘The Passion and Pain of Carol Rama’, Hyperallergic, 9 September, 2017
- Linda Morris, ‘Ravenswood founds Australia’s richest art prize for women’, Sydney Morning Herald, 5 August, 2017
- Anna Louie Sussman, ‘Why Old Women Have Replaced Young Men as the Art World’s Darlings’, Artsy, 19 June, 2017
- Emily Elizabeth Goodman, ‘The Future Is (Still) Female: Feminist Art for the 21st Century’, Hyperallergic, 27 May, 2017
- ‘Miraculous Resurrections: the contemporary art market of older and deceased women artists’, Lecture at the Annual Art Historian Conference at the University of Loughborough, GNYP Art Advisory, April 2017
- Sarah Cascone, ‘Narrowing Gender Gap, Wikipedia Edit-a-Thon Writes 6,500 More Women Into Art History’, artnet news, 18 April, 2017
- ‘6 Black Radical Female Artists To Know Before You See “We Wanted A Revolution: Black Radical Women, 1965-85″‘, Artspace, 7 April, 2017
- Rosalie Schweiker, ‘No more fake orgasms: stop boosting the art world’s self-esteem’, A-N The Artists Information Co, 01 March, 2017
- Dr Janine Bourke, ‘Art and amnesia: the Gallery, School and the fate of women artists’, ART150: Celebrating 150 years of art, The University of Melbourne, 2017
- Hannah Ellis-Petersen, ‘How the art world airbrushed female artists from history’, The Guardian, 7 February, 2017
- Mark Brown, ‘Frances Morris to become new Tate Modern chief’, The Guardian, 16 January, 2017
- Simon Hattenstone, ‘Carmen Herrera: men controlled everything, not just art’, The Guardian, 31 December 2016
- ‘Pérez Art Museum Miami celebrated Feminism with largest photograph of South Florida female artists’, artdaily, 12 December, 2016
- Sarah Malik, ‘Ms Saffaa, protest art and the fledgling Saudi Arabia women’s rights movement’, The Guardian, 1 December, 2016
- Kate Evans, ‘Elizabeth Gould, illustrator of Birds of Australia, brought out of her husband’s shadow’, ABC News, 25 November, 2016
- Jonathan Jones, ‘We need to remove the mask of history from female artists’, The Guardian, 26 October, 2016
- Natalie Thomas, ‘Painting. More Painting: Creators Versus Producers. Silence Kills Culture’, nattysolo.com, 26 September, 2016
- Holland Cotter, ‘In Art This Fall, Women Win in a Landslide’, The New York Times, 16 September, 2016
- Heather Dewey-Hagborg, Addie Wagenknecht, Camilla Mørk Røstvik, Kathy High, ‘Why women are asking a major art and technology festival to #KissMyArs’, The Guardian, 12 September, 2016
- Jonathan Green, ‘Gender and art’, ABC audio podcast, 18 September, 2016
- Shaad D’Souza, ‘Gender and the NGV: ‘More white male artists than you can shake a stick at”, The Guardian, 15 September, 2016
- Leah Sandals, ‘Public Art: It’s (Still) A Man’s World’, Canadian Art, 31 August, 2016
- Alison Gillmor, ‘Subtle sexism entrenched in art world’, Winnipeg Free Press, 29 August, 2016
- ‘The Brooklyn Museum announces “A Year of Yes: Reimagining Feminism at the Brooklyn Museum”‘, artdaily, 22 August, 2016
- Alison Flood, ‘Australia’s female writers still get far less attention than men, survey finds’, The Guardian, 6 August, 2016
- ‘Gender Matters: record-breaking funding for women to be seen and heard’, Screen Australia, 12 July, 2016
- Hannah McGivern, ‘Valeria Napoleone’s all-female art collection hits the road’, The Art Newspaper, 7 July, 2016
- Casey Lesser, ‘These 20 Female Artists Are Pushing Figurative Painting Forward’, Artsy, 10 June, 2016
- Lili Nishyama, ‘Megumi Igarashi charged for breaking obscenity law’, ArtAsiaPacific, 11 May, 2016
- Susan Jones, ‘Creating positive action to support unrecognised female artists’, The Guardian, 6 May, 2016
- Hettie Judah, ‘Female Artists Take Center Stage at Glasgow International 2016’, artnet news, 8 April, 2016
- Hilarie M. Sheets, ‘Female Artists Are (Finally) Getting Their Turn’, The New York Times, 29 March, 2016
- Jessica Simmons, ’34 Revolutionary Women Artists Who Shaped Abstract Sculpture Inaugurate Hauser Wirth & Schimmel in Los Angeles’, Artsy, 11 March, 2016
- Molly Gottschalk, ’10 Emerging Artists to Watch at The Armory Show’, Artsy, 4 March, 2016
- ‘Female Artists Lead Hatched 2016’, Perth Institute of Contemporary Art (PICA), 9 March, 2016
- Lisa Andrine Bernhoft-Sjødin, ‘Siri Aurdal by Eline Mugaas’, Objektiv, 1 March, 2016
- Madeleine Viljoen, ‘Printing Women: Selections from the Exhibition’, The New York Public Library, March 2016
- Kate Kellaway, ‘ Hilma af Klint: a painter possessed’, The Guardian, 21 February, 2016
- Juliette Peers, ‘Drastic plastic: a look at Barbie’s new bodies’, The Conversation, 8 February, 2016
- Susan Stamberg, ‘Portraits of LA’s female artists send a powerful message: ‘You are here”, npr, 1 February, 2016
- Rachel Spence, ‘Women in the frame: the Saatchi gallery’s all-female art show’, The Financial Times, 22 January, 2016
- Jacqueline Bishop, ‘Renowned Feminist Art Historian Amelia Jones believes that the discipline of Art History should be restructured to embrace new narratives and diverse voices’, Huffington Post, Art & Culture, 21 January, 2016
- Susan Silas, ‘A Show of Over 100 Women Artists Offers Redress but No Resolution’, Hyperallergic, 18 January, 2016
- ‘Exhibition of works by women artists from the late 19th century through the 1930s on view at Kunsthalle Bielefeld’, artdaily, 13 January, 2016
- Lorena Muñoz-Alonso, ‘Carmen Herrera and Rosalind Krauss Among Winners of 2016 CAA Awards’, artnet news, 6 January, 2016
- Nadia Khomami, ‘Saatchi Gallery to show it’s first all-female art exhibition’, The Guardian, 6 January, 2016
- Clarisse Loughrey, ‘Pussy Riot to open ‘women’s-only’ museum’, The Independent, 17 December, 2015
- Graham Bowley, ‘Institute of Contemporary Art in Boston Gets Gift of Works by Women’, ArtsBeat, The New York Times, 9 December, 2015
- Karen Rosenberg. ‘At the Rubell Family Collection, an All-Female Show Adds to Market Momentum’, Artspace magazine, 2 December, 2015
- Nick Clark, ‘Winifred Knights: Artistic ‘genius’ who died in obscurity goes back on show in London’, The Independent, 9 November, 2015
- ‘Independent Visions: Women Artists of California, 1880-1940 on view at the Irvine Museum’, artdaily, 12 October, 2015
- Robin Pogrebin, ‘New-York Historical Society to Open Women’s History Center’, The New York Times, 7 October, 2015
- Priscilla Frank,’7 Forgotten Women Surrealists Who Deserve To Be Remembered’, Huffington Post, 30 July, 2015
- Caroline B, ‘Rewriting Art History with Christa Zaat’, No Smoking, 27 July, 2015
- Maura Reilly, ‘Taking the measure of sexism: facts, figures, and fixes’, ARTnews, 05 June, 2017
- Roberta Smith, ‘Pretty Raw Recounts Helen Frankenthaler’s Influence on the Art World’, review, The New York Times, 2 June, 2015
- Nell Frizzell, ‘Duchamp and the pissoir-taking sexual politics of the art world’, The Guardian, 7 November, 2014
- Lorena Allam, ‘Between sea and sky: a portrait of Clarice Beckett’, audio episode, ABC, 17 August, 2014
- Marcus Bunyan, ‘Review: photography meets feminism: australian women photographers 1970′-80’s at the Monash Gallery of art, Melbourne’, (curated by Shaune Lakin) 17 October – 7 December 2014, Art Blart Blog, 30 November 2014
Artist interviews
Exhibition Reviews
- Albert Mobilio, ‘One Woman, 100 Men, and 100 Arguments’, Hyperallergic, 2 November 2019
- Anthony Haden-Guest, The Fearless Face of a Feminist Firebrand, Hyperallergic, 2 November 2019Maura Reilly, ‘MoMA’s Revisionism Is Piecemeal and ProblemFilled: Feminist Art Historian Maura Reilly on the Museum’s Rehang’, ArtNews, 31 October 2019
- Megan N. Liberty, The Unseen Labor of Women in Art, Hyperallergic, 28 September 2019
- Charmaine Branch, ‘The Quiet Introspection of Amy Sherald’s New Portraits’, Hyperallergic, 27 September 2019
Exhibitions
- Lea Lublin: Mon Fils (My Son), Hammer Museum (digital archive)
- Aishwarya Arumbakkam: KA DINGIEI, Photographic Museum of Humanity, Bangladesh, 2015 – ongoing
- Marie Neurath: Picturing Science, House of Illustration, 19 July – 3 November 2019
- Helene Schjerfbeck: Royal Academy of Arts, London, 20 July — 27 October 2019
- Bridget Riley: Scottish National Gallery, 15 July – 22 September 2019
- Evangelia Kranioti: The Living, the Dead and Those at Sea, Chapelle Saint-Martin du Méjan, Arles Photography Festival, 1 July – 22 September 2019
- Kathleen Ryan: The New Art Gallery Walshall, 24 May – 22 September 2019
- Jenny Holzer: Things Indescribable, Guggenheim Museum Bilbao, 22 March – 9 September 2019
- Lis Rhodes: Dissident Lines, Nottingham Contemporary, 25 May – 1 September 2019
- Huguette Caland: Tate St Ives, 24 May – 1 September 2019
- Berenice Abbott: Portraits of modernity, Fundación MAPFRE Recoletos Exhibition Hall, 20 February – 25 August 2019
- Hearts of Our People: Native Women Artists, Minneapolis Institute of Art, 2 June – 18 August 2019
- Suzanne Lacy: We Are Here, San Francisco Museum of Modern Art (SFMOMA) and Yerba Buena Center for the Arts, 24 July – 4 August 2019
- Modern Australian Women: Works from a Private Collection, National Gallery of Victoria (NGV), 19 October 2018 – 24 March 2019
- Zina Saro-Wiwa: The Turquoise Meat Inside, Tiwani Contemporary, London, 13 September – 27 October 2018
- Artist Rooms: Jenny Holzer, TATE Modern, 23 July 2018 – 31 July 2019
- Polly Apfelbaum, Waiting for the UFOs (a space set between a landscape and a bunch of flowers), IKON Gallery Birmingham, 19 September – 18 November 2018
- In the Spirit of Louise Noun, Des Moines Art Centre, Iowa, 9 June – 2 September 2018
- Half the Picture: A Feminist Look at the Collection, Elizabeth A. Sackler Centre for Feminist Art, Brooklyn, 23 August 2018 – 31 March 2019
- Free the Pussy!, Summerhall, Edinburgh, 2 August – 23 September 2018
- Lisette Model: Photographs from the Canadian photography Institute of the National Gallery of Canada, BOCA RATUN Museum of Art, Florida, 24 April – 21 October 2018
- Generations Part 2: Female Artists in Dialogue – Sammlung Goetz in Haus der Kunst, Munich, 29 June 2018 – 26 January 2019
- Women Artists in Paris 1850-1900, The Clark, Williamstown, MA, 9 June – 3 September 2018
- Women Artists in the Age of Impressionism, Speed Art Museum, Louisville, Kentucky, 17 February – 13 May 2018
- Unfinished Business: Perspectives on art and feminism, ACCA, Melbourne, 15 December 2017 – 27 March 2018
- Nalini Malani: La Rébellion Des Morts, Rétrospective 1969-2018, Centre Pompidou, Paris, 18 October 2017 – 8 January 2018
- Anita Rée: A Retrospective, Hamburger Kunsthalle, Hamburg, 6 October 2017 – 4 February 2018
- Sharon Hayes: If They Should Ask, Rittenhouse Square, Philadelphia, 13 September – 20 November 2017
- A Century of Women in Prints, 1917-2017, Allen Memorial Art Museum, Oberlin, 8 August – 17 December 2017
- Outcasts: Women in the Wilderness, Arts at Wave Hill, Wave Hill, New York, 8 April – 9 July 2017
- The Future is Female, 21c Museum Hotel Louisville, KY, November 2016 – June 2017
- Making Space: Women Artists and Postwar Abstraction, Museum of Modern Art | MoMA, New York, 15 April – 13 August, 2017
- Grey Matters, Wexner Centre for the Arts, The Ohio State University, Ohio, 20 May – 30 July 2017
- We Wanted a Revolution: Black Radical Women, 1965–85′, Brooklyn Museum, New York, 21 April – 17 September, 2017
- She Photographs, Montreal Museum of Fine Arts, Montreal, until 19 February 2017
- Now Be Here #3, Pérez Art Museum Miami (PAMM), 12 October, 2016
- Vote For Me, Fontanelle Gallery and Studios, Adelaide, 4 September – 2 October, 2016
- Revolution in the Making: Abstract Sculpture by Women, 1947-2016′, Hauser Wirth & Schimmel, Los Angeles, 13 March – 4 September, 2016
- Anna-Eva Bergman. A Graphic Universe, The Museum of Contemporary Art, Oslo, 13 November 2015 – 14 August 2016
- Modern Scottish Women | Painters and Sculptors 1885-1965, National Galleries Scotland, 7 November 2015 – 26 June 2016
- O’Keeffe, Stettheimer, Torr, Zorach: Women Modernists in New York, Norton Museum of Modern Art, Florida, February 18 – May 15, 2016
James C Sourris Collection
- Judy Watson interview: The James C Sourris AM Collection
- Madonna Staunton interview: The James C Sourris AM Collection
- Fiona Foley interview: The James C Sourris AM Collection
- Judith Wright interview: The James C Sourris AM Collection
- Normana Wight interview: The James C. Sourris AM collection
- Anne Wallace interview: The James C. Sourris AM Collection
- Helga Groves interview: The James C. Sourris AM Collection
