FROM PERTH TO PARIS: Recovering one of the true innovators of early twentieth century Australian artBOOK REVIEW: Kathleen O’Connor of Paris, by Amanda Curtin, Fremantle Press,
In May, three significant examples of colour field paintings by women artists – two of which were omitted from The Field – hung in the
To celebrate its launch, the Sheila Foundation has secured three important colour field paintings made by Australian women artists in the late 1960s. The Field
It was a unique and beautiful thing for a mother and son to share, and it was the beginning of Sheila’s love and support of
“Donors … agree that if we raise sufficient funds to carry out our programs, we can improve genderbalance in the visual art sector” – John
