Melanie Kembrey, ‘Australian women call time on abuse of power in the art world’, The Sydney Morning Herald, 15 September 2018
Ann Schilo, 'Scintillating signifiers - 'Flora' at Lawrence Wilson Art Gallery', Art Monthly, Issue 306, April 2018, pp26-29
Gina Fairley, 'Do women make better curators?', ArtsHub, 5 December, 2016
Raphael Morris, 'Grappling with feminist contradictions', ArtsHub, 24 November, 2016
'My Collection', Maddie Mulholland on Vicki Varvaressos, The lids are dizzy pink 1982, Lawrence Wilson Art Gallery, Perth, 2016
Lily Yeang, 'The Care Takers', Scoop Homes and Art 47, 23 February, 2016
Carrie Miller, '47. Gemma Weston', Art Collector, Issue 75, Jan-Mar, 2016, pp 202-20
Carrie Miller, '44. Elvis Richardson', Art Collector, Issue 75, Jan-Mar, 2016, p 194
Lisa Bryan-Brown, 'Ladies' legacies - Women gifting art by women', Art Monthly, Issue 286, Summer 2015-2016, pp 28-32
Leanne Santoro, 'Sun, sea and standing still', Look, 1015, Art Gallery Society of New South Wales, 2015, pp 18-20
Gemma Weston, 'In defence of bad taste: the art of Pat Larter and Lola Ryan', The Conversation, 14 August, 2014
Maurice O'Riordan, 'Art we there yet?', Art Monthly Australia, Issue 258, April, 2013, pp 35-36
Victoria Laurie, 'Sheila's shelias', The Weekend Australian, 13-14 October, 2012, pp 5-6
Gail Williams, 'Portrait of a lady', The Sunday Times, 7-13 October, 2012, p 16
Sheridan Coleman, 'A museum of one's own: Look. Look Again', Art Guide, Sept-Oct, 2012, pp 70-73
John Cruthers, 'Lady Sheila Cruthers (1925-2011)', Art Monthly Australia, Issue 248, April, 2012, pp18-19
Ted Snell, 'Intimate Spaces: The Sir James and Lady Sheila Cruthers Collection', Art and Australia, Vol 39, No 1, 2001, pp 122-126
Margaret Moore, 'In the Company of Women', Agenda, May, 1995, pp33-34
Neville Weston, 'Reaffirming value', The Western Review, March 1995
Ted Snell, 'In the Company of Women', The Australian, 24 February, 1995
Ron Banks, 'Eclectic collection is a family passion', The West Australian, 15 February, 1995
'The Cruthers Collection', Mode Magazine, August, 1987


Skye Sherman, ‘Artemisia Gentileschi’s Self-Portrait as Saint Catherine of Alexandria: brutally seeking vengeance’, The Guardian, 8 March 2019
Clarissa Sebag-Montefiore, ‘Women battling sexism in photography - a picture essay’, The Guardian, 7 March 2019
Tim Jonze, ‘Performance artist Carolee Schneemann dies aged 79’, The Guardian, 7 March 2019
Julia Friedman, ‘An Attempt to Redefine Feminist Art Has Some Surprises’, Hyperallergic, 25 February 2019
Robin Pogrebin, ‘SFMOMA to sell 1960 Rothko to Help Diversify its Holdings’, The New York Times, 19 February 2019
Mark Brown, ‘Sylvia Pankhurst paintings of women at work acquired by Tate’, The Guardian, 20 December 2018
Adrian Searle, ‘Top 10 art exhibitions of 2018’, The Guardian, 19 December 2018
Mark Brown, ‘Tate Britain to celebrate 60 years of work by female artists’, The Guardian, 19 December 2018
Gareth Harris, ‘Feminisms, gender, resistance: three curators choose their favourite works from politically charged shows’ The Art Newspaper, 19 November 2018
Amber Butchart, ‘The Artificial Divide Between Fine Art and Textiles is a Gendered Issue’, Frieze, 14 November 2018
Daniel McDermon, ‘Sex, Surrealism and de Sade: The Forgotten Female Artist Leonor Fini’, The New York Times, 6 November 2018
Hannah Clugston, ‘Still I Rise: Feminisms, Gender, Resistance review - spells, smoke and taboo-busting’, The Guardian, 30 October 2018
Nadya Sayej, ‘Betye Saar: the artist who helped spark the Black women’s movement’, The Guardian, 30 October 2018
Sarah Gilbert, ‘East End Suffragettes: the photographs of Norah Smyth - in pictures’, The Guardian, 29 October 2018
Valerie Hess, ‘5 minutes with…Autoportait (Self Portrait) by Jeanne Hebuterne’, Christies, 18 October 2018
Oliver Wainwright, ‘Snubbed, cheated, erased: the scandal of architecture’s invisible women’, The Guardian, 17 October 2018
’Infra Realism: deserts saturated with colour - in pictures’, The Guardian Art & Design Gallery, 17 October 2018
Etan Smallman, ‘Why I made Captain Cook lose his breeches: Lisa Reihana on her colonial video epic’, The Guardian, 17 October 2018
’Judi! Edna! Glenda! Women who lit up the 70s - in pictures’, The Guardian, 16 October 2018
Adrian Searle, ‘Anni Albers review - ravishing textiles that beg to be touched’, The Guardian, 10 October 2018
Charles Darwent, ‘Josef and Anni Albers: the Bauhaus misfits who scaled art’s peaks’, The Guardian, 10 October 2018
Katharine Q. Seelye, ‘Jane Fortune, Champion of Florence’s Female artists, Dies at 76’, The New York Times, 2 October 2018
Claire Armistead, ‘Zina Saro-Wiwa: ‘For 10 years I didn’t cry about my father’’, The Guardian, 19 September 2018
Hannah Clugston, ‘Polly Apfelbaum review - a trip into a technicolour dreamscape’, The Guardian, 21 September 2018
Shankar Vedantam, ‘Researcher’s explore gender disparities in the art world’, National Public Radio, Inc., 18 September 2018
Judith Wilkinson, ‘‘I’m aghast, scared and disgusted’: neon warrior Jenny Holzer on America today’, The Guardian, 17 September 2018
Kathryn Bromwich, ‘Mary Kelly: ‘All borders are anathema to art’, The Guardian, 16 September 2018
Micha Frazer-Carroll, ‘Strangers, lovers and Rihanna in repose: Deana Lawson’s intimate portraits’,The Guardian, 15 September 2018
Linda Morris, 'Nude gender quotas won't be put in place says Art Gallery of NSW', The Sydney Morning Herald, 4 September 2018
Hannah Furness, 'Royal Academy nudes to reach gender parity as art world grapples equality', The Sydney Morning Herald, 4 September 2018
Helen Gorrill, 'Are female artists worth collecting? Tate doesn't seem to think so', The Guardian, 13 August 2018
Nadja Sayej, ''It's about time': Central Park's first historical female monument to arrive in 2020', The Guardian, 2 August 2018
Maeve Kennedy, 'Royal Photographic Society seeks 'hundred heroines' for special award', The Guardian, 2 August 2018
Adrian Searle, 'Herstory review - a surprising, alarming odyssey through art by women', The Guardian, 31 July 2018
Alison Greenberg, 'Minneapolis Institute of Art to Stage Major Survey of Native Women Artists', The Art Newspaper, 24 July 2018
Robert Dex, 'National Gallery spends £3.6m on rare painting to boost women's art', The Evening Standard, 6 July 2018
Hannah Clugston, 'Lee Miller and Viviane Sassen review - photography and the female gaze', The Guardian, 23 June 2018
Jonathan Jones, 'Alison Wilding review - pure sculpture from an artist whose time has come', The Guardian, 23 June 2018
Rebecca Nicholson, ‘Rebel Women: The Great Art Fightback review - feminist art versus the patriarchy’, The Guardian, 19 June 2018
Katie Goh, ‘The White Pube: meet the emoji-using art critics who hate art criticism’, The Guardian, 12 June 2018
Jori Finkel, 'Lacma acquires major works by women through lively Collectors Committee Weekend', The Art Newspaper, 22 April, 2018
Laura Cumming, 'Surface Work review – women abstract artists dazzle in historic show', The Guardian, 15 April, 2018
Helen Hughes, 'Binns' Grids and Voids: "It is what it is, what it is", Vivienne Binns at Sutton Gallery', Memo Review, 14 April, 2018
Natalie Gempel, 'The Women's Struggle in Art: Groundbreaking New Dallas Exhibition Examines Representation and the Fight for Recognition', Paper City, 12 April, 2018
Leah Sandals, 'Nationwide Public Art Project to Feature 50 Indigenous Women', Canadian Art Foundation, 26 March, 2018
Louise Maher, 'Rare painting by 19th-century female recreational artist acquired by National Portrait Gallery', ABC News, 6 March, 2018
Colleen Hochberger, 'The Other Art History: The Non-Western Women of Feminist Art', Artspace, 2 March, 2018
Kevin Griffin, 'ART SEEN: Contemporary Art Gallery curates new program in Canada House, London', Vancouver Sun, 22 February, 2018
Sasha Weiss, 'Judy Chicago, The Godmother', The New York Times, 7 February, 2018
Shannon Lee, 'The Other Art History: The Overlooked Women of Surrealism', Artspace, 2 February, 2018
Michael Sun, 'Women in art study reveals 50 per cent gender pay gap', The Age, 21 January, 2018
Kevin Griffin, 'Put it in words: How writing and reading by women influenced art in the '70s', Vancouver Sun, 13 January, 2018
Claire Selvin, 'The Common Threads Between Female Quilters and Abstract Expressionists', Hyperallergic, 12 January, 2018
Kerrie O'Brien, 'What's the cleaner got to do with art?', The Age, 10 January, 2018
Julie Shiels, 'Unfinished Business: new exhibition showcases breadth of feminist art over decades', ABC News, 8 January, 2018
Kerrie O'Brien, 'I can't believe we're still arguing this shit', The Sydney Morning Herald, 5 January, 2018
'The Artsy Podcast, No. 63: Camille Claudel, the Sculptor Who Inspired Rodin’s Most Sensual Work', Artsy, 3 January, 2018
Jennifer Farrell, 'One Hundred Years of the Great War through the Eyes of Four Female Artists', Metropolitan Museum of Art, 3 January, 2018
'Unfinished Business Perspectives on art and feminism', ACCA Melbourne, YouTube, 2 January, 2018
Jo Higgins, 'Crunching the Numbers: The Countess', Art Collector, Issue 83, January, 2018
Anna Bensted, 'In Florence, they're bringing the works of women artists out of the basement', Public Radio International, 22 December, 2017
Karen Chernick, '10 Female Performance Artists You Should Know, from Ana Mendieta to Carolee Schneemann', Artsy, 20 December, 2017
Julia Halperin, 'The 4 Glass Ceilings: How Women Artists Get Stiffed at Every Stage of Their Careers', ArtNet, 15 December, 2017
Natasha Hinde, ''Wall Of Shamed': Women Share Awful Experiences Of Being Body-Shamed And Harassed', Huffington Post, 8 December, 2017
David Salle, 'Outing the Inside', The New York Review of Books, 7 December, 2017
Julie Shiels, 'Still counting: why the visual arts must do better on gender equality', The Conversation, 6 December, 2017
Mark Brown, 'Lubaina Himid becomes oldest artist to win Turner prize', The Guardian, 6 December, 2017
Marybeth Stock, 'Women in Photography 2017: Objectifs Centre for Photography Singapore', ArtAsiaPacific, November, 2017
Molly Langmuir and Trish Deitch, 'Elle Women in Art: Who to Know, Love, Collect', Elle, 17 November, 2017
Maura Reilly, 'What is Curatorial Activism?', Artnews, 7 November, 2017
'Nine New Acquisitions Celebrate National Museum of Women in the Arts' 30th Anniversary Year', National Museum of Women in the Arts, Washington, 2017
Sarah Cascone, 'How—and Why—’The Dinner Party’ Became the Most Famous Feminist Artwork of All Time', Artnet, 7 November 2017
Isaac Kaplan, 'Alex Strada Is Contractually Binding Her Collectors to Support Emerging Female Artists', Artsy, 1 November 2017
Carrie Rickey, 'Linda Nochlin, Feminist Art Historian Who Changed the Game, Dies at 86', Hyperallergic, 31 October, 2017
Andrew Russeth, 'Linda Nochlin, Trailblazing Feminist Art Historian, Dies at 86', Artnews, 29 October, 2017
Carrie Rickey, 'The exceptional life and political art of Violet Oakley', Hyperallergic, 14 October 2017
Alexxa Gotthardt, 'What you need to know about Bauhaus Master Anni Albers,' Artsy.net, 11 October 2017
Sera Waters, 'Still-ness: activating the 'still' rhythms of generational feminism', Broadsheet, Journal 46.2, 2017, pp 37-40
Shannon Lee, 'Nine Totally Badass Latina Artists in the Hammer's "Radical Women" Show', Artspace, 14 September, 2017
Natalie Haddad, 'The Passion and Pain of Carol Rama', Hyperallergic, 9 September, 2017
Linda Morris, 'Ravenswood founds Australia's richest art prize for women', Sydney Morning Herald, 5 August, 2017
Anna Louie Sussman, 'Why Old Women Have Replaced Young Men as the Art World’s Darlings', Artsy, 19 June, 2017
Emily Elizabeth Goodman, 'The Future Is (Still) Female: Feminist Art for the 21st Century', Hyperallergic, 27 May, 2017
'Miraculous Resurrections: the contemporary art market of older and deceased women artists', Lecture at the Annual Art Historian Conference at the University of Loughborough, GNYP Art Advisory, April 2017
Sarah Cascone, 'Narrowing Gender Gap, Wikipedia Edit-a-Thon Writes 6,500 More Women Into Art History', artnet news, 18 April, 2017
'Advancing Women Artists: #TheFirstLast Campaign & Linda Falcone Interview', La Femme Éclectique, 10 April, 2017
'6 Black Radical Female Artists To Know Before You See "We Wanted A Revolution: Black Radical Women, 1965-85"', Artspace, 7 April, 2017
Rosalie Schweiker, 'No more fake orgasms: stop boosting the art world's self-esteem', A-N The Artists Information Co, 01 March, 2017
Dr Janine Bourke, 'Art and amnesia: the Gallery, School and the fate of women artists', ART150: Celebrating 150 years of art, The University of Melbourne, 2017
Hannah Ellis-Petersen, 'How the art world airbrushed female artists from history', The Guardian, 7 February, 2017
Mark Brown, 'Frances Morris to become new Tate Modern chief', The Guardian, 16 January, 2017
Simon Hattenstone, 'Carmen Herrera: men controlled everything, not just art', The Guardian, 31 December 2016
'Pérez Art Museum Miami celebrated Feminism with largest photograph of South Florida female artists', artdaily, 12 December, 2016
Sarah Malik, 'Ms Saffaa, protest art and the fledgling Saudi Arabia women's rights movement', The Guardian, 1 December, 2016
Kate Evans, 'Elizabeth Gould, illustrator of Birds of Australia, brought out of her husband's shadow', ABC News, 25 November, 2016
Jonathan Jones, 'We need to remove the mask of history from female artists', The Guardian, 26 October, 2016
Natalie Thomas, 'Painting. More Painting: Creators Versus Producers. Silence Kills Culture', nattysolo.com, 26 September, 2016
Holland Cotter, 'In Art This Fall, Women Win in a Landslide', The New York Times, 16 September, 2016
Heather Dewey-Hagborg, Addie Wagenknecht, Camilla Mørk Røstvik, Kathy High, 'Why women are asking a major art and technology festival to #KissMyArs', The Guardian, 12 September, 2016
Jonathan Green, 'Gender and art', ABC audio podcast, 18 September, 2016
Shaad D'Souza, 'Gender and the NGV: 'More white male artists than you can shake a stick at'', The Guardian, 15 September, 2016
Leah Sandals, 'Public Art: It's (Still) A Man's World', Canadian Art, 31 August, 2016
Alison Gillmor, 'Subtle sexism entrenched in art world', Winnipeg Free Press, 29 August, 2016
'The Brooklyn Museum announces "A Year of Yes: Reimagining Feminism at the Brooklyn Museum"', artdaily, 22 August, 2016
Alison Flood, 'Australia's female writers still get far less attention than men, survey finds', The Guardian, 6 August, 2016
'Gender Matters: record-breaking funding for women to be seen and heard', Screen Australia, 12 July, 2016
Hannah McGivern, 'Valeria Napoleone's all-female art collection hits the road', The Art Newspaper, 7 July, 2016
Casey Lesser, 'These 20 Female Artists Are Pushing Figurative Painting Forward', Artsy, 10 June, 2016
Lili Nishyama, 'Megumi Igarashi charged for breaking obscenity law', ArtAsiaPacific, 11 May, 2016
Susan Jones, 'Creating positive action to support unrecognised female artists', The Guardian, 6 May, 2016
Julia Halperin, 'Creating value around women artists: the chief curator's view', The Art Newspaper, 3 May, 2016
Gareth Harris, Julia Halperin, Javier Pes, ' What does a female artist have to do to get a major solo show?', The Art Newspaper, 29 April, 2016
Hettie Judah, 'Female Artists Take Center Stage at Glasgow International 2016', artnet news, 8 April, 2016
Hilarie M. Sheets, 'Female Artists Are (Finally) Getting Their Turn', The New York Times, 29 March, 2016
Jessica Simmons, '34 Revolutionary Women Artists Who Shaped Abstract Sculpture Inaugurate Hauser Wirth & Schimmel in Los Angeles', Artsy, 11 March, 2016
Molly Gottschalk, '10 Emerging Artists to Watch at The Armory Show', Artsy, 4 March, 2016
'Female Artists Lead Hatched 2016', Perth Institute of Contemporary Art (PICA), 9 March, 2016
Lisa Andrine Bernhoft-Sjødin, 'Siri Aurdal by Eline Mugaas', Objektiv, 1 March, 2016
Madeleine Viljoen, 'Printing Women: Selections from the Exhibition', The New York Public Library, March 2016
Kate Kellaway, ' Hilma af Klint: a painter possessed', The Guardian, 21 February, 2016
Juliette Peers, 'Drastic plastic: a look at Barbie's new bodies', The Conversation, 8 February, 2016
Susan Stamberg, 'Portraits of LA's female artists send a powerful message: 'You are here'', npr, 1 February, 2016
Rachel Spence, 'Women in the frame: the Saatchi gallery’s all-female art show', The Financial Times, 22 January, 2016
Jacqueline Bishop, 'Renowned Feminist Art Historian Amelia Jones believes that the discipline of Art History should be restructured to embrace new narratives and diverse voices', Huffington Post, Art & Culture, 21 January, 2016
Susan Silas, 'A Show of Over 100 Women Artists Offers Redress but No Resolution', Hyperallergic, 18 January, 2016
'Exhibition of works by women artists from the late 19th century through the 1930s on view at Kunsthalle Bielefeld', artdaily, 13 January, 2016
Lisa Movius, 'Feminist show closed in China before it opens', The Art Newspaper, 6 January, 2016
Lorena Muñoz-Alonso, 'Carmen Herrera and Rosalind Krauss Among Winners of 2016 CAA Awards', artnet news, 6 January, 2016
Nadia Khomami, 'Saatchi Gallery to show it's first all-female art exhibition', The Guardian, 6 January, 2016
Chloé Wolifson, 'Patriotism, patriarchy and politics: 2015 feminism in context', Art Monthly, Issue 286, December, 2015, pp 68-72
Clarisse Loughrey, 'Pussy Riot to open 'women's-only' museum', The Independent, 17 December, 2015
Graham Bowley, 'Institute of Contemporary Art in Boston Gets Gift of Works by Women', ArtsBeat, The New York Times, 9 December, 2015
Karen Rosenberg. 'At the Rubell Family Collection, an All-Female Show Adds to Market Momentum', Artspace magazine, 2 December, 2015
Katherine Brooks, 'Let's Talk About 'Women Artists' And What This Term Means', The Huffington Post, 20 November, 2015
Nick Clark, 'Winifred Knights: Artistic 'genius' who died in obscurity goes back on show in London', The Independent, 9 November, 2015
'Independent Visions: Women Artists of California, 1880-1940 on view at the Irvine Museum', artdaily, 12 October, 2015
Robin Pogrebin, 'New-York Historical Society to Open Women’s History Center', The New York Times, 7 October, 2015
Priscilla Frank,'7 Forgotten Women Surrealists Who Deserve To Be Remembered', Huffington Post, 30 July, 2015
Caroline B, 'Rewriting Art History with Christa Zaat', No Smoking, 27 July, 2015
Maura Reilly, 'Taking the measure of sexism: facts, figures, and fixes', ARTnews, 05 June, 2017
Roberta Smith, ‘Pretty Raw Recounts Helen Frankenthaler’s Influence on the Art World', review, The New York Times, 2 June, 2015
Nell Frizzell, 'Duchamp and the pissoir-taking sexual politics of the art world', The Guardian, 7 November, 2014
Lorena Allam, 'Between sea and sky: a portrait of Clarice Beckett', audio episode, ABC, 17 August, 2014
Marcus Bunyan, 'Review: photography meets feminism: australian women photographers 1970'-80's at the Monash Gallery of art, Melbourne', (curated by Shaune Lakin) 17 October - 7 December 2014, Art Blart Blog, 30 November 2014

City of Women: Female artists in Vienna from 1900 to 1938, The Belvedere, Vienna, 25 January - 19 May 2019
Illuminating Women: photographs by Mayotte Magnus, The National Portait Gallery, London, 8 September 2018 - 24 March 2019
Zina Saro-Wiwa The Turquoise Meat Inside, Tiwani Contemporary, London, 13 September - 27 October 2018
Artist Rooms: Jenny Holzer, TATE Modern, 23 July 2018 - 31 July 2019
Polly Apfelbaum, Waiting for the UFOs (a space set between a landscape and a bunch of flowers), IKON Gallery Birmingham, 19 September - 18 November 2018
In the Spirit of Louise Noun, Des Moines Art Centre, Iowa, 9 June - 2 September 2018
Half the Picture: A Feminist Look at the Collection, Elizabeth A. Sackler Centre for Feminist Art, Brooklyn, 23 August 2018 - 31 March 2019
Free the Pussy!, Summerhall, Edinburgh, 2 August - 23 September 2018
Lisette Model: Photographs from the Canadian photography Institute of the National Gallery of Canada, BOCA RATUN Museum of Art, Florida, 24 April - 21 October 2018
Generations Part 2: Female Artists in Dialogue – Sammlung Goetz in Haus der Kunst, Munich, 29 June 2018 – 26 January 2019 
Women Artists in Paris 1850-1900, The Clark, Williamstown, MA, 9 June - 3 September 2018
Women Artists in the Age of Impressionism, Speed Art Museum, Louisville, Kentucky, 17 February - 13 May 2018
Unfinished Business: Perspectives on art and feminism, ACCA, Melbourne, 15 December 2017 - 27 March 2018
Nalini Malani: La Rébellion Des Morts, Rétrospective 1969-2018, Centre Pompidou, Paris, 18 October 2017 - 8 January 2018
Anita Rée: A Retrospective, Hamburger Kunsthalle, Hamburg, 6 October 2017 - 4 February 2018
Radical Women: Latin American Art, 1960–1985, Hammer Museum, Los Angeles, 15 September - 31 December 2017
Sharon Hayes: If They Should Ask, Rittenhouse Square, Philadelphia, 13 September - 20 November 2017
A Century of Women in Prints, 1917-2017, Allen Memorial Art Museum, Oberlin, 8 August - 17 December 2017
Outcasts: Women in the Wilderness, Arts at Wave Hill, Wave Hill, New York, 8 April - 9 July 2017
The Future is Female, 21c Museum Hotel Louisville, KY, November 2016 - June 2017
Making Space: Women Artists and Postwar Abstraction, Museum of Modern Art | MoMA, New York, 15 April - 13 August, 2017
Grey Matters, Wexner Centre for the Arts, The Ohio State University, Ohio, 20 May - 30 July 2017
We Wanted a Revolution: Black Radical Women, 1965–85', Brooklyn Museum, New York, 21 April - 17 September, 2017
She Photographs, Montreal Museum of Fine Arts, Montreal, until 19 February 2017
Now Be Here #3, Pérez Art Museum Miami (PAMM), 12 October, 2016
Vote For Me, Fontanelle Gallery and Studios, Adelaide, 4 September - 2 October, 2016
Revolution in the Making: Abstract Sculpture by Women, 1947-2016', Hauser Wirth & Schimmel, Los Angeles, 13 March - 4 September, 2016
Anna-Eva Bergman. A Graphic Universe, The Museum of Contemporary Art, Oslo, 13 November 2015 - 14 August 2016
Modern Scottish Women | Painters and Sculptors 1885-1965, National Galleries Scotland, 7 November 2015 - 26 June 2016
O'Keeffe, Stettheimer, Torr, Zorach: Women Modernists in New York, Norton Museum of Modern Art, Florida, February 18 - May 15, 2016

Judy Watson interview: The James C Sourris AM Collection
Madonna Staunton interview: The James C Sourris AM Collection
Fiona Foley interview: The James C Sourris AM Collection
Judith Wright interview: The James C Sourris AM Collection
Normana Wight interview: The James C. Sourris AM collection
Anne Wallace interview: The James C. Sourris AM Collection
Helga Groves interview: The James C. Sourris AM Collection

Max Mara Art Prize for Women
Portia Geach Memorial Award
Ravenswood Australian Women's Art Prize
The Bennett Prize
The Freelands Artist Award

'Women Painters of the World: from the time of Caterina Vigri to Rosa Bonheur (1905)', The Public Domain Review