
John Cruthers appointed as Emeritus Director
John Cruthers appointed as Emeritus Director of the Sheila Foundation Board Former Sheila Foundation Chair and longstanding board member John Cruthers has been appointed Emeritus

John Cruthers appointed as Emeritus Director of the Sheila Foundation Board Former Sheila Foundation Chair and longstanding board member John Cruthers has been appointed Emeritus

Sheila is proud to announce the launch of Into the Light 2023, the fifth annual tranche of this project to locate and acquire artworks by

Into The Light tranche 5, 2023 expressions of interest are now open! We are on the look out for early stage and under-employed art historians,

The Countess Report is a comprehensive report on gender representation in the Australian arts sector. It is compiled every four years and has become the

Recipient of Sheila’s 2023 Michela and Adrian Fini Fellowship, Alana Hunt, recently opened her solo exhibition Surveilling a Crime Scene at the Northern Centre for

Artist Alana Hunt has been awarded the Foundation’s third Fini Fellowship, an opportunity that will allow her to create a body of new work for

Into the Light: Recovering Australia’s lost women artists 1870- 1960 is Sheila’s national research project to collect data about women artists working professionally in Australia

In 2021 Angela Brennan’s painting Self portrait 1998 entered the Cruthers Collection of Women’s Art as a gift from the artist’s husband Will Barrett. Angela

Longstanding Sheila Foundation Chairperson John Cruthers this week announced the appointment of preeminent arts industry leader Kelly Gellatly as his replacement as head of the

Into the Light: Recovering Australia’s lost women artists 1870- 1960 is Sheila’s national research project to collect data about women artists working professionally in Australia

Sheila Foundation – A Foundation for Women in Visual Art has announced the awarding of the 2022 Michela and Adrian Fini Artist Fellowship. Brisbane-based artist

Foundation chair John Cruthers is delighted to announce that highly regarded arts industry professional Kelly Gellatly has joined the board of directors. Kelly has over

Into the Light: Recovering Australia’s lost women artists 1870–1960 is Sheila Foundation’s national research project to collect data about women artists working professionally in Australia

Sheila – A Foundation for Women in Visual Art has announced the inaugural Michela and Adrian Fini Artist Fellowship valued at $20,000. Sydney-based artist Salote

Curator and Board member Helen Carroll spoke to RTRFM 92.1 Jorja Key about the Sheila Foundation and the visual arts gender parity statistics highlighted in

“If we value women’s art less than we do men’s, then we need to rethink what it is that we value in art. If women’s

“Try naming five male artists, contemporary and historic … easy? And now five women. For most people this is much more difficult.” ABC Arts’ Eloise

“I’ve seen a lot of art. Two things are inherent in this statement: I’ve seen a lot of bad art, and a lot of art

For years, three dedicated Australian artists, with the support of Sheila Foundation, have been quietly working to change the face of Australian contemporary art in

“The National Gallery of Australia has become the first major art institution in the country to commit to full gender parity in its artistic program,

“The latest Countess Report, Australia’s premier reference point on gender representation in the contemporary visual arts, has been released today…A total of over 13,000 artists

“In the history of art, or more pointedly the history of the industry of art, those who rose to the top were men. They ran

“The latest report (30 October 2019) found that there has been ‘significant gender equity gains across public galleries, artist-run initiatives, major museums and university galleries,

“The Australian slang term ‘sheila’, a derogatory term for a woman, is a relic of another, more sexist time. But, like other contested words, it

In May, three significant examples of colour field paintings by women artists – two of which were omitted from The Field – hung in the

To celebrate its launch, the Sheila Foundation has secured three important colour field paintings made by Australian women artists in the late 1960s. The Field

It was a unique and beautiful thing for a mother and son to share, and it was the beginning of Sheila’s love and support of

“Donors … agree that if we raise sufficient funds to carry out our programs, we can improve genderbalance in the visual art sector” – John

“The Australian Cruthers family are among a global movement of galleries and philanthropists putting the spotlight back on women”. Clarissa Sebag-Montefiore from The Guardian talks

“Busting gender disparity in the visual arts wide open, Sheila is a new foundation aimed at building collections, and awareness.” ArtsHub writes about the need for

Sheila Foundation Limited launched on May 28 at Lawrence Wilson Art Gallery at The University of Western Australia. Feature articles in The West Australian, the

“A new foundation to be launched next week will honour the art-loving legacy of Lady Sheila Cruthers.” The West Australian writes about Lady Sheila Cruthers and

“Sheila Cruthers never finished school, but by the time she died in 2011, aged 86, the former shop girl from regional Western Australia had made