"In Australian arts media, 34% female artists, 61% male artists and 5% collaborations were the subject of feature articles and reviews. The covers included only 20% female artists and 80% male artists."
Going Global | Taking the Cruthers Collection of Women’s Art to the world
Increasing the visibility of Australian women’s art is a core value for SHEILA. Our Going Global program will focus on creating online access to the Cruthers Collection of Women's Art, along with national touring and publications to increase its availability. These initiatives are important to extend the reach of women’s art into the lives of every Australian and to provide international audiences with a more inclusive history of Australian art. SHEILA will take a lead role to create a world where contemporary and historical women’s art and women artists are equitably represented, celebrated and acknowledged.
Contemporary Women Artists
Supporting and celebrating contemporary women artists and addressing ongoing gender imbalance.
SHEILA supports and celebrates contemporary women artists through acquisitions, symposiums, lectures and publications, and by sponsoring The Countess Report, a regular count of gender equality in contemporary art. This provides data to argue for reforms that ensure today’s women artists have equal access and representation.
The organisation The Countess Report has counted and published statistics about the participation of women in Australian contemporary art for over a decade. In 2015, with funding from the Cruthers Art Foundation, Countess undertook research to uncover the ongoing gender inequalities in the visual arts in Australia using the year 2014. The subsequent Countess Report showed that women were under-represented in nine of the 10 key sectors of contemporary art, including in all state and national art collections and exhibitions, media coverage and art prizes. This count, which will be repeated every four years with assistance from Sheila, is helping change the landscape for Australian women artists.
A consequence of the under-representation is a lack of material on women artists to support primary and secondary school curricula, which sees women’s art often accounting for less than 15% of the curriculum in many states. Sheila hopes to change this by working with The Countess Report to develop primary and secondary educational materials on women artists, including many from the Cruthers Collection of Women’s Art.